Abstract

Based on the confirmation and emphasis of the individuals who are well acquainted with poetry, Nizami, with no doubt and uncertainty, should be enumerated amongst the few innovative stream-making poets. He posits a special language and style in Khamseh or Panj Ganj which is followed by a convoy of his counterparts keenly interested in that style and method. But, even with all the studies and researches performed on familiarization with such a wise figure as Nizami and his poems, there is still felt a missing place of an independent research on the introduction and objective revealing of the stylistic properties and even language properties of his “peculiar style” in a study field called recognizing and studying Nizami. “The peculiar method” used by this philosopher features indicators and properties in terms of intellectual, lingual and literal aspects that he has appropriately applied to individualize his style in reciting Khamseh and, in this article, we are seeking to extract and objectively offer the most frequent and stylistic characteristics of the personal style of the Ganjeh poet within the area of the Persian language syntax. That is because identification of such most frequently applied indicators in this philosopher’s poetical style can, more than before, pave the way for the investigation of the extent to which his counterpart have been influenced by his techniques of reciting poetry.